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The Role of a Camera Light


The role of a camera light is a delicate and difficult one. It is delicate because when in operation, the quality of the final product reflects directly on your reputation as well as the longevity of your career. The camera light's role becomes difficult when one doesn't fully understand its purpose, for example, in a controlled environment such as a movie studio, a camera light is often used for very specific reasons. The main reason is to capture the star's facial expressions, minimizing facial shadows under the chin and eyes and to reflect a "sparkle" in the eyes, making the actor or actress look alert and animated as the camera rolls in or away.

That particular light is very "soft" or diffused, and it is always controlled by a dimming system so as to increase or decrease its intensity as the camera moves, to keep a consistent brightness level on the subject. The light is always positioned 6-12 inches above the camera lens to avoid red-eye syndrome. Red-eye is a problem news broadcasters particularly need to avoid, because in their effort to be compact and self-contained, they usually mount the camera light too close to the camera lens.

I remember a story I was once told several years ago during the filming of the movie, Fatso, with Dom DeLuise on the 20th Century lot. The cinematographer (DP) was Brianna Murphy (the first woman to be accepted into the prestigious Hollywood club of the American Society of Cinematographers). Our lights were being used to film the movie, and one day on the set, I asked Bri how she got started in the film business. After a stare and a smile, she said "I got stated as a news reporter. I traveled everywhere, and I was known as 'the reporter with lights'. I was the only one at the time that carried every light available, and my goal was to make my interviews look as good as the anchor people back at the network."

Her efforts have certainly paid off. And now more than ever, a video camera light must do everything. Because when the action happens you'll have only one take.

George N. Panagiotou


Camera Light Features


  • A camera light must be positioned 6 to 12 inches above the camera lens to avoid red-eye and to make it easy for the subject to look into the lens.

  • For close-ups, a camera light must be only bright enough to create a sparkle in the subject's eyes and soften the facial shadows.

  • For action situations, the light should be able to cover large areas and long distances at least 40 wide and about 25/50 lux at 50 feet.

  • AC to DC versatility.

  • Quick lamp replacement as quick and easy as 1-2-3.

  • Quick access to diffusers and filters.

  • A dimmer can be used to adjust the brightness to your needs and it can be a very helpful tool. Once you use a dimmer, it would be difficult to do without it. However, keep in mind that all dimmers at low dimming (below 50%) will affect the light's color temperature. Also, a portable dimmer versus a built-in one can be used on many lights and if it fails, your light still operates.


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